Sunday, 8 April 2012

Living with the fear of the end.




Apocalypse, like we discussed in the last lecture, is one of the defining features of Christianity. As the lecture mentioned, Abrahamic religions believe in the spectrum of beginning and the end. We have discussed few lectures ago that people are afraid of the unknowable, and because of that, we tend to be attracted to movies or television shows that put our fear for the unknown in visual form, and we talked about how monsters are the representations of this. Apocalypse, aka the end of the world, is a scary thought. Looking at the issue on a Christian perspective, Apocalypse is very similar to the idea of “death”, it will be here one day, we don’t know when and we don’t know what happens after. Horror movies capture this fear we have for death, and similarly, many movies seem to capture this fear of the end to get audiences' attention.

Because of the this fear we have of the end, many films and television shows tend to carry an apocalyptic theme, some portray this explicitly and others do it "rather" implicitly. Well-known explicit apocalyptic films include “The Day After Tomorrow”, “The Book of Eli”, “2012”…etc. Interestingly, I think the rather implicit apocalyptic films tend to have this crossover with horror/monsters theme, because of this, though the idea of apocalypticism remains but it seems less obvious. Example would be “Omen”, famous horror movie about a demonic kid taking over the world; “Pleasant Point”, was not a highly popular television show, but similarly to “Omen” it focuses on the idea that the evil is gradually taking over humanity; and most recently “American Horror Story, judging by its name and the first few episode, most would assume its strictly horror based television show, until the end of the first season, it slowly reveals its implicit religious-apocalyptic theme (when main character gets pregnant with a demonic child, and a psychic predicts the kid would have a massive influence on the human race).

               


"American Horror Story" Episode 11-"Birth" trailer:
                                                    Ghosts getting eager for the birth of the demonic child.

Both the lectures on monsters and the last lecture on apocalypse demonstrate very clear examples of the complex interaction between religion and popular culture. We have spent a lot of time in this course discussing this interaction, from the knowledge I have gathered throughout these 12 weeks, I’m debating the possibility if fear of the unknown actually came before religion. Religion could be generated from our fear of death/the unknown, faith and belief can comfort our fear by allowing us to the opportunity to imagine what the unknown looks like. As technology advanced, this idea of comforting our fear is taken up by the media, and the notion to target this fear in Christianity is often portrayed in movies and television shows, and eventually became a huge popular culture. Though of course there is a possibility that because our fear for the unknown is so huge that it could be a form of popular culture before everything else. I think it is this fear of the end that we are living with, contributed to the popularity of apocalyptic films.


As mentioned, apocalypse to Christians, is very similar to the idea of death, it is scary to the human race because it is unknowable. The media industry could have picked up this phobia and reinforce it by producing movies/television shows that capture this fear, and allow audience the opportunity to visualize the unknown. And by putting the unknown in a visual form, it indirectly comforts our fear, therefore, we enjoy it.  In a bigger picture, this demonstrates the complexity of the relationship between Christianity and popular culture, and how they reinforce and interact with each other, and therefore, I think apocalypse is an excellent topic to conclude this blog, as well as this course.


Cowan, Douglas. “Stalking Life: Fear of Death and of Dying Badly.” In Sacred Terror: Religion and Horror on the Silver Screen, 123-66. Waco, TX: Baylor University Press, 200.
Ostwalt, Conrad. “Movies and the Apocalypse.” In Secular Steeples: Popular Culture And The Religious Imagination, 157-88. Harrisburg: Trinity Press International, 200.
Walsh, Richard. “The Horror, The Horror: What Kind of (Horror) Movie is the Apocalypse?” Journal of Religion and Popular Culture 22 (2010), 27 pp

What children learn from Jesus movies.



Found this somewhere, and just thought its an interesting picture to describe our lecture on sexuality and children few weeks ago as well as the theme of the course. Enjoy!

Wednesday, 4 April 2012

Response to "Credibility, Gender and Media"


This is a response to Sofia's "Credibility, Gender and Media"
Here is the original post: http://christianityandpopularculture.blogspot.ca/2012/03/credibility-gender-and-media.html
Sofia, I totally with you on the lack of credibility we see in the portrayal of women in the media. To be honest, I’m not really a news person, so I never really paid attention to the female portrayal in news reporting, and you’ve brought up really interesting points about that! I realize that the lack of credibility in the portrayal of women is very common in the media, especially in movies and television shows. As a huge fan of shows like Sex and the City and Desperate Housewives, I notice that even though these shows target female audiences, there are always negative portrayals and stereotypes found in them, and these messages could reinforce female stereotypical roles in the society, and send wrong messages to young adults.

All about gossips.
Sex and the City (SATC) - an extremely popular television show during 1998-2004, it was so popular that there are two movies made to continue the story 4 years after its finale. SATC was so hit that it became a huge popular culture in North America, there are special tours organized for SATC fans, sales boosted dramatically after the SATC actresses were seen using or wearing certain products/clothing, and recently the apartment that the main character Carrie Bradshaw lives, is now for sale asking for millions. SATC demonstrates an excellent example of the interaction between popular culture and the portrayal of women in the media. The four main characters-Carrie, Samantha, Miranda and Charlotte, are portrayed as four middle aged, educated and highly successful women. The show is mainly about these four women gathering around and gossip about men, this illustrate one of the common ways of female portrayal in television that we covered in lecture. The television show is based on the assumption that even successful and beautiful women’s lives would not be complete without men, and the entire show surrounds on the theme of the four single women, each searching for the perfect man. Interestingly, the characters personality and encounters seem to counteract with each other to enforce the stereotype that women are weak and that men are the ultimate remedy for their problems.

Charlotte paid the price for her "Happy Ending".
For example, Carrie and Charlotte carry a very traditional stereotype of women. Carrie is dreamy and constantly tries to get attention from men, and she can never get enough of her prince charming-Mr Big, and often gets very emotional when she does not receive enough attention. Charlotte is the typical girl next door that would give up everything for the man she loves, even though she is very good-looking, she ultimately has to convert her religion to settle for a guy that isn't very attractive. Miranda and Samantha are shown as rather masculine characters, they are independent, strong, and highly successful. Miranda ultimate falls for a guy that is a lot less successful than she is, and gives up many aspects of her success to be with the guy and her children. Samantha, is most untypical female character in the show, she is strongly opinionated, doesn’t like dating and makes it clear that she only enjoys sex but nothing else, though at certain times, she is revealed to be weak and just like the other characters, she craves the attention from men and struggles to keep her feelings apart from just sex. The SATC movie was release 4 years after its finale, and it shows a “happy ending” for all characters, which is-finally finding their prince charming. This television show assumes that these gorgeous, fashionable, well-educated, independent and successful women are not happy, and the show surrounds on their gatherings and conversations they have with each other about their failure to meet the right guy, as long as they have found a significant other, that’s the “happy ending”. This sets another example of the lack of credibility in the portrayal of women in mainstream media.

Typical conversation and gathering in SATC, and Samantha falls for the guy that previous cheated on her.



Television shows or movies that carry similar themes often have high ratings. It is difficult to figure whether it was popular culture that influences people to make films or shows like this, or if it is these shows that shaped the culture somehow. I personally tend to believe that the media saw the culture, create based on it, and produce shows or movies that further reinforce that culture in the society. And why do people like these shows? Perhaps it has something do with religion. North America is Christian-centric, and like we discussed in lecture, women are often perceived as inferior to men in religion. Perhaps audience who grew up from this culture got comfortable with this idea, and therefore tends to favor shows or movies that convey this stereotype. The relationship between religion, popular culture, and the portrayal of gender is complex, and I think SATC is a perfect example to illustrate this complexity.

Sick Samantha: Though portrayed as a strong female, the most masculine character out of the others, Samantha shows her desire for a man when shes weak and says "I should have gotten married".


Response to "Toddlers and... Sexuality?"


This is a response to Chloe's "Toddlers and…Sexuality?"
Here is the original post: http://chloesmc305.blogspot.ca/2012/04/toddlers-and-sexuality.html


Chloe, I too find Toddlers and Tiaras pretty horrifying. I haven’t seen a full episode of it, but I have seen bits and pieces from commercials, and it breaks my heart whenever I see a little girl being forced to dress sexually. The worst part is when their mom applies false lashes on them (I can imagine how uncomfortable it is for such young girls to wear false lashes), they cry really hard but the mothers don’t really care, some even lecture them for not “behaving” well. I recently read an article (attached below) about a show very similar to “Toddlers and Tiaras” called “Dance Moms”, and the article talks about the little girls in the show being forced to wear bikinis that are two sizes too small for them, and the reason is to appear like they are naked (really grossed me out). One girl cries and yells that she didn’t want to be naked in front of a large group of audiences, but they make her do it anyways. If this happen to an adult, she has her every right to refuse and if someone forces her, she can even call for sexual harassment, if it is wrong to do such things to adult why would it be okay to do it to children? Because they are helpless? 

"Dance Moms" little girls' naked costume.

A little too much?Cyrus was underage when this was taken.
I think reason why these shows are getting more popular and more shows are coming up with idea of sexualizing children, because for some reasons there are demands for it. It is very difficult to fully understand if popular culture influences media, or if it’s the other way around, I believe is a combination of both. I think for this case, recent popular culture seems to promote pedophilia (making attraction to younger adults like a normal thing). I always wonder why Justin Bieber became such a huge icon, when he first got famous, he was only 15 or 16, and there were people out there who were twice or triple his age calling him “hot”. Disney stars like Miley Cyrus, Selena Gomez…etc, often have some sort of baby face, but they are presented as sexualized adults. Miley Cyrus is often criticized for her skimpy outfits, and Selena Gomez is often shown with a lot of make-up and very mature outfits. Justin Bieber and Selena Gomez’s relationship is highly publicized, there are tons of pictures of them public displaying their affection, though the two may not be underage anymore at this point, but due to their teenage-looking-image, those coverage still gross me out. Perhaps it is celebrities like this that promoted the trend of liking younger adults, like we discussed at the beginning of the course, celebrities are carefully crafted to look a certain way, however, the combination of baby-face looking teenagers and adulterous outfits or sexualized image certainly does not impress me.

Young-looking adults or sexualized teenagers?
A little young for Vanity Fair?

Personally I think the trend of making even younger children looking/acting like adults and sexualizing them seem to be a reinforcement of the culture of what I would refer to as pedophilia. Moreover, the discussion we had in lecture on how advertisers try to promote their products to children by sexualizing them was definitely shocking to hear. I hope that audience will one day be aware of these issues and recognize the effect it has on children, because it is only through them (not only criticizing but also by boycotting and saying no to sexualizing kids) that can stop the unhealthy trend this unethical business people are promoting (they wouldn’t promote the trend if they can’t make profit). Sometimes I wonder where the trend of liking and sexualizing younger adults came from, and of course, it is so complex that it’s almost impossible to see. 

Article about "Dance Moms" and the 'naked' little girls:
http://www.dailymail.co.uk/femail/article-2112156/Dance-Moms-hits-new-low-Girls-young-EIGHT-wear-nude-bikinis-burlesque-routines.html

Response to "Disney Movies: Good? Bad?"


This is a response to Stratis's "Disney Movies: Good? Bad?"
Here is the original post: http://stratisthesundayschooldrop-out.blogspot.ca/2012/03/disney-movies-good-bad.html

Stratis, I agree with your point that “what Towbin et al.’s lacks is any sort of research on what effects this form of media actually has”, and its pretty interesting how you found a video that literally describes everything about the article.  I agree with the video in the way that Disney movies seem to inject certain gender stereotype in children. I have to admit that I was also a “victim” of Disney just like Jenna. I humiliated myself in public because I thought it was okay to sing or act like my favorite Disney characters, and like Jenna I was not allowed to wear two-piece swimsuit until pretty recently, it was my ultimate wish to own a two-piece swimsuit, why? Because that’s what Ariel wears! Everytime I went to the beach, I beg my parents to bury me in the sand and build me a sand fish tail. Disney does have certain influence in my childhood, but as I got older, I kind of grew out of my princess-wannabe-phase, and of course eventually I did realize that Disney princesses are just fairy tales. Perhaps, like you mention that Disney does not have any permanent negative effect on children. 
Disney's view of culture diversity

From my personal experience, I do believe that it has some sort on influence on me when I was little, but the effect seems insignificant as I got older. I think education, family background would affect the influence Disney have on children, like I haven’t notice so much negativity Disney films contain before college, and now that I do, I am more aware of it. As for the problem of racism in Disney films, I tend to look at it in a good way. Like I mentioned, I never really realize the negativity Disney films have, I don’t know how other children watch television but for myself, I was more of a visual kid. I like cartoons, anything colorful, cute and pretty,  and to be honest, I don’t think I listened to conversations in cartoons at all. I grew up in a place with not much cultural diversity and to me, it was only through Disney films that I learned about all kinds of different races and cultures, that could be partly the reason why I never found it unusual when I saw different cultures/races in reality. Funny, but I think Disney actually taught me cultural diversity. 

Princess wannabes: A phase that most of us went through

Though many scholars like Towbin et al. argue about the negativity in Disney films on children, but perhaps we should consider the possibility that children may see films differently than we do, since we interpret details of the films such as conversations, appearance and etc, but children usually are only drawn to animations or pictures, and by showing them different races and culture may help them to recognize racial and cultural diversity. It is difficult to fully figure if media has direct influence on children, and through my own experience and the small sample of children the original post asked, Disney may not be as harmful as we think it is to children. We only see its negativity because we have the ability to interpret its message. As for Towbin et al.’s research, I think its weakness lies on their assumption that children are completely vulnerable, and that they would take all information in, they omit the possibility that children may be less interpretative on Disney films than we are (since we only see the negativity through detail analysis of the different aspects of Disney characters), and as result they don’t generally absorb all the deep messages in films. 

How we generally see Disney, but does that mean children see it the same way?
Disney's hidden message: Princes VS Princesses.



Towbin, Mia Adessa et al. “Images of Gender, Race, Age, and Sexual Orientation in Disney Feature-Length Animated Films.” Journal of Feminist Family Therapy 15.4 (2004): 19-44

Monday, 26 March 2012

Response to "Making Good Deeds Public"


This is a response to Sandra's "Making Good Deeds Public".
Original post can be viewed here: http://christandpopularculture.blogspot.ca/2012/03/making-good-deeds-public.html



Sandra, you brought up some really good points. I wanted to address this issue and your post reflects my thoughts completely! I question about the sincerity of celebrities doing charity work all the time. It depends on the celebrity I question, if I bring up the issue with my friends about Ellen Degeneres or George Clooney, they would probably disagree with me and think that I’m too judgmental or biased in some ways. I have brought up the same issue about Kim Kardashian who is seen engaging with some charity work recently, and almost everyone I talked to believe that she is just doing that for her reputation, since she has been under fire for her millions dollar wedding and 72 days of marriage.

The funny thing is that those are actually the same question, the question about the sincerity and authenticity of celebrity and charity. The difference is their popularity, well-liked celebrities like Degeneres and Clooney are likely to be questioned less than infamous stars like Kardashian, does that mean more likable people are more sincere? Some can argue that since there are rumors that everything about Kim Kardarshian is staged, including her wedding, marriage, reality show… her good deeds wouldn’t be an exception either. Though when analyzing the issue a little deeper, there is this possibility that all celebrities are somehow staged, and crafted for the public eyes, just some more “well-done” than the others. Of course, there is also this possibility that there are some celebrities who are doing charity work just because they really care.

The question of authenticity also reminds me of Lady Gaga, who we had discussed in class on her image and how she present herself as a Christian through her bizarre, outrageous appearance. Many scholars believe that her appearance is crafted to present her in a certain way, and though some may argue that her faith is her true self and believe that she is using her image to sell her religion, to me these are still questionable. Since the majority of America is Christian-centric, there is this possibility that she is presenting herself as a Christian to relate to the audience since her appearance is so bizarre. While charity work may be a tactic for some celebrities to build their image, for Lady Gaga, her faith could be a way to get her popularity. Either way, Lady Gaga’s image reflects the complexity of public figures, their beliefs, and authenticity.

It is difficult for us as audience to not question celebrities’ sincerity (whether charity work or their image itself), since there is this conflict of interest between their charity work, their publicity and reputation. As for Justin Bieber, though we may never find out his real motives behind his charity work or how sincere and authentic he is, using his fame as a tool to spread out issues about reaching out to others definitely does bring some degree of consciousness and awareness to the less fortunate. I guess celebrities and their authenticity are not always necessarily bad influence to the society, at least in this case, whether their intention is true or not, their popularity is a useful tool to spread their beliefs (whether charity or faith), influence audience, and bring awareness to the public.

Corona, Victor. “Monsters, Memory and Lady Gaga.” Journal of Popular Culture on-line publication March 2011, 20 pp

Sunday, 25 March 2012

Reponse to "Violence as Entertainment"

This is a response to 's "Violence as Entertainment".



I have never really thought about the relationship between violence and media before the lecture two weeks ago. I always believed that there is a strong correlation between the two. I guess I was one of those people who are blind sided by the influence of the news, and what others commonly believe. I always thought there must be a correlation between youth violence and the media, even though my personal experience told me otherwise.
I used to love watching horror movies, not the typical kind of shows that kids would watch. I was obsessed with “Child Play” at some point of my childhood (I don’t even know how I got to watch it at that age), I remember one day I came home from school and my mom told me that two kids murdered their sister after watching the show, and since then she started limiting my hours of television watching. I was not allowed to watch horror movies as much as before, sometimes I feel like my mom thought I was going to be a serial killer one day. I never really liked cartoons or comedies, and I still refuse to watch any cartoons, not even the Simpsons or Family Guy. It may sound creepy that I’m only interested in horror/violent movies or television shows, I don’t consider myself a violent person. Last week’s lecture broadened my mind, I never thought about violence and media that way, I completely agree with it and it all makes sense. If media is really correlated to violence, crime rates should be increasing instead of decreasing especially children are more exposed to the media nowadays than ever.
I totally agree with ccandelario that violence is more correlated to ones background, society, and they way they are brought up. It is difficult to understand whether genetics play a role in violence, I personally believe it’s a combination of all the above. As for myself, it is hard to understand whether I was born to be attracted to violent materials. Even though I don’t think I am a violent person at all, I still question myself sometimes whether I am violent in nature. I believe that there is this possibility that I might be born violent but because of the culture, family, and society I grew up in, I was controlled and learned what is right and wrong, and therefore it kind of took my inner violence away from me. 

Original post can be viewed here:
http://whatwouldchirstdo.blogspot.ca/#!/2012/03/violence-as-entertainment.html





Wednesday, 21 March 2012

A Beautiful Monster



Evil mermaid
Monsters as mentioned in this week’s lecture is the hybrid between human and non-human, they have the ability to frustrate our desire to know them. Studying monsters helps us to understand ourselves, it shows the struggle to be human and reveals the strive for redemption. We spent most part of the lectures discussing how different types of grotesque monsters reveal about us, and our fear of death. The discussion of the famous bible monster, Leviathan, reminds me of the unusual type of “monster”- the beautiful and seductive, human-and-fish-hybrid: Mermaids.

Mermaids are mythological creature that has been around for a long time in many different countries and cultures. Some cultures regard them as sacred, some consider them as evil. The most famous mermaid comes from Disney’s “The Little Mermaid” written by Hans Christian Andersen. Andersen’s religious value is expressed in his mermaid tale, some believe that the scene where the mermaid- Ariel gives up everything to be immortal is a symbol of converting beliefs or even religion. In “The Little Mermaid”, mermaids are not portrayed as grotesque monsters, they are presented as beautiful, lovely and kind-hearted creatures. Moreover, in contrast to Leviathan who is represented as a monster of the sea that is totally opposite of God, in “The Little Mermaid”, Ariel’s father- King Triton is a mythological God in Greece, the king of sea. Andersen may have gotten his inspiration from Greek mythology, though the story of “The Little Mermaid” is in fact an adaptation to the mermaid story in the Brothers Grimm fairy tale.
Greek God King Triton, Ariel's father.
The storyline of the mermaid tale is very similar in both the Brothers Grimm’s and Disney’s. The story surrounds an adventurous mermaid who always hopes to be something different, and wishes to get out of water. Both stories show how desperate the mermaid is to be more human instead of a hybrid creature, and even though “mermaids” are not commonly seen as monsterous, their representation in both films function similarly to the monsters we discussed in class. Mermaids in another way also show us the struggle to be human, and the strive for redemption. In “The Little Mermaid”, Ariel gives up her eternality for love, and eventually gets a happy ending, though in the original mermaid tale, the mermaid has to sacrifice her life for the happiness of the man she loves.
Ariel's happy ending.

Different cultures have different perception of what mermaids are. “The Little Mermaid” was a hit in North American culture, and might have led people to perceive mermaid as beautiful, sacred creatures, though some cultures still see mermaids as a symbol of evil, manipulative creatures. Mermaids are a type of monster that functions like a combination of Vampires and Zombies. Especially in Brothers Grimm fairy tale and “The Little Mermaid”, the mermaids’ desperation to be human helps us to understand ourselves and shows the crawl to redemption just like Vampires function in the media. For the mermaid in Brothers Grimm, she reaches her redemption and finds grace when she gives up her immortality and ultimately decides to sacrifice everything for the man she loves, as for Ariel, her happy ending is her redemption and what she gives up for love is her moment of grace.

Monsters can teach us how to be more human, and mermaids are an interesting monster to study since there are so many different perception of what they really are. While Brothers Grimm’s story illustrates the unpredictability of reality, Disney shows achievement and success, though in both stories, it is the mermaids’ faith for love that gives them hope. This expresses the importance of faith in what we believe in, as well as the idea of hope. Even though mermaids are hybrids of human and fish, but in contrast to Vampires and Zombies, mermaids’ beauty and graceful appearance not only attract adult audience but as well as children, allowing younger audience an opportunity to study monsters, to confront the unknowable, and to find hope.

"The Little Mermaid" statue in Langelinie, Copenhagen. Based on the original fairy tale that she waited for the prince who never came, and ultimately died.




Cowan, Douglas. “Stalking Life: Fear of Death and of Dying Badly.” In Sacred Terror: Religion and Horror on the Silver Screen, 123-66. Waco, TX: Baylor University Press, 200.
Santana, Richard W. and Gregory Erickson. “Demons, Aliens, and Spiritual Warfare: Belief and Reality.” In Religion and Popular Culture: Rescripting the Sacred, 138-68. Jefferson, NC: McFarland, 2008.

Monday, 12 March 2012

Unusual Representations of Christians in the Media


Throughout these eight weeks of lectures, we have discussed different forms of Christians presented in the entertainment industry. We spent a lot of time analyzing Lady Gaga’s music and her Christian faith, Justin Bieber’s belief and how he presents it through his music, the authenticity of Christian in media, as well as Christian characters in television shows and movies. The discussion that caught my attention that most was the Lil Wayne’s music video that was presented at the very beginning of last week’s lecture. This video reminds me of the discussions we had at the very beginning of the course about Kanye West and his video of “Jesus Walk”. I have never been a fan of Lil Wayne or Kanye West, perhaps because of this, I never enjoyed any of their songs, and I could never picture them as Christians. Realizing both Kanye West and Lil Wayne are strong Christians was very surprising to me, I am not a Christian myself, and I have to admit that I do not know very deeply about the Christian tradition, but my impression of strong Christians are someone who is generous, kind, understanding, and accepting. My idea of being Christian is very similar to the idea of Christ figures in films. Kanye West and Lil Wayne are completely opposite of what I normally perceive Christians as.


Kanye West does not appear to be the nicest guy, he is commonly perceived as arrogant, self-centered, intolerant and rude. West is infamous for causing scenes and controversies around his speech and music. He rudely stormed off the American Music Awards in 2004, just because he lost the Best New Artist title to Gretchen Wilson. Later during an interview, he said that he felt like he was robbed, because he considered himself as “the best of the year”. West is also known for the habit of blaming his failure on his skin color, he called president bush a racist and caused a scene with Britney Spears in the Music Video Awards 2007, he believed that he lost his titles to Britney because of his race, and continued to insult Britney’s Spears’s talent and success in the music industry for years. Kanye's most recent outburst was two years ago, when he randomly went on the stage during the Music Video awards and abruptly interrupted Taylor Swift’s acceptance speech. Though as we learned in the beginning of the course that West is a devoted Christian and grew up from a strong Christian background, his intolerance, unforgiving and arrogant behaviors seem to be far from the common conception of a Christian.

Add caption

In the beginning of last week’s lecture, we were presented with Lil Wayne’s “Mirror” video. The video started with Lil Wayne’s very- strangely- tattooed-eyelids, and his heavily tattooed body. The setting of the video was very visual and powerful, strongly resembles Lil Wayne’s faith, however it is presented in a rather violent way, for example heavy splashes of red paint, repetitively scene of Lil Wayne’s hand covered in paint, and the video constantly zooms into certain evil symbolic tattoos, and lyrics.  This video shows very strong resemblance to Christianity, and it also reinforces the Lil Wayne’s tough, fearless image. Lil Wayne- similarly to Kanye West, is familiar with controversies and feuds. Lil Wayne has been infamously arrested a few times for drug abuse and weapon possession. Although one can say that these scandals happened before he converted to Christianity, through looking at his recent music videos and image (he is still involved in many lawsuits and has recently engaged in feuds with Jay-Z and 50 cents), he doesn’t seem that much of a different person except for the explicit expressions of his belief in his music.


Add caption
 Kanye West and Lil Wayne are just a few examples of a “different” kind of Christian presented in the media. Though both rappers claim that they are devoted Christians, their music genre, image and attitude do not seem to confrom with the traditional image of Christians. Other examples of self-proclaiming Christians that appear to have “gone wild” include the cast of “Jersey Shore”, many of the cast members have revealed their belief throughout the seasons, a few of them mentioned that they express their faith through their body tattoos. The contrasting image of a traditional Christian and the image of these celebrities made me wonder if their faith was actually crafted to fit into the society since the majority of American is Christian-centric. Especially after the discussion of celebrities, Lady Gaga and authenticity few lectures ago, my doubt on the sincerity of Kanye West’s and Lil Wayne’s is even stronger. This also makes me question whether they are building a typical “bad boy” rapper image, or if they are using faith to win American’s heart because their image is so tarnished? Or if any of these are authentic at all. Moreover, this also made me question whether the media is promoting violence just like the way sports is being promoted. As we have talked about in class, audience often failed to realize how harmful some sports are, and because of its relationship with Christians and its massive influence in the economy, causing many to neglect its problems. Similarly, the entertainment industry has enormous influence in the community, and “self-proclaiming as Christians” may just be a technique to cover the flaws that these celebrities have and ultimately creates unthinking acceptance and celebration of the horrific behaviors of these people.


"Jersey Shore" members and their iconic religious tattoos:

Jenni "JWoww" Farley

Vincenzo "VinnyGuadagnino
Ronnie Ortiz-Mangro
Kanye West:
http://www.mtv.com/news/articles/1569313/kanye-west-hell-never-return-mtv-report.jhtml
http://www.people.com/people/package/article/0,,20302940_20304330,00.html
http://www.rollingstone.com/music/news/kanye-west-storms-the-vmas-stage-during-taylor-swifts-speech-20090913
http://www.usmagazine.com/entertainment/news/kanye-west-wages-twitter-war-with-britney-spears-2011141

Lil Wayne:
http://www.rollingstone.com/music/news/timeline-the-criminal-history-of-lil-wayne-20101105
http://www.people.com/people/article/0,,20314783,00.html
http://www.mtv.com/news/articles/1679051/jay-z-kanye-west-lil-wayne-diss.jhtml

Jersey Shore and Christianity:
http://www.celebritytattoodesign.com/ronnie-magro-from-jersey-shores-surprisingly-meaningful-ink

Monday, 27 February 2012

Religion and Mainstream Television



Last week’s lecture was focused on the topic of broadcasting, and the discussion on the presence of Christianity reminded me the reason why I haven’t been as interested in television shows as before. If the idea of “television using metaphor” was brought up to me 5 years ago, I would say that television is my favorite baby-sitter, it comforted me through many years and I would consider it as the best remedy whenever I was sick. I haven’t been as addicted to television as I used to, I never really wondered why until recently.

I normally like all kinds of shows, though I have a very serious interest in horror and suspense. I was hooked on “Lost” for a long time, my all time favorite is “Desperate Housewives”, and I was addicted to “Supernatural” and “Ghost Whisperer” throughout high school. Interestingly, I actually never finished watching all seasons of any of these shows. I was crazy for “American Horror Story” a few months ago, but have already lost my passion for it after the first season. I lost my interest in “Lost” after a couple of seasons, and I started getting frustrated on the predictability of the storyline in “Supernatural”, as well as “Ghost Whisperer”. The only show that I am still caught up on is “Desperate Housewives”. I never understood why I could never finish watching a show, and it is through the recent article on cinematic Christ figure and last week’s discussion that made me realize the real reason behind my television watching habit. I figured that most televisions shows are actually based or related to religion, and they usually don’t reveal this at the beginning of the show. When television shows begin to uncover their hidden concept, they always center around a few themes, either something to do with suffering, salvation, demonic child, purgatory, or perhaps all of them, and this concept causes many television shows to be predictable because their themes are so similar.

"Lost" religious ending:

 http://articles.nydailynews.com/2010-05-24/entertainment/27065253_1_finale-faith-spiritual-show

I thought “American Horry Story” was my typical type of show, but then at the end of the first season, the show starts becoming religious and the story gets predictable. I enjoyed the suspense in “Lost” a lot, and I would never have thought that it would be related to religion. However, throughout the seasons, there seem to be more references to Christianity, and this is revealed in the very last episode of the show where Jack dies, appears in a Church setting, and all the other characters were waiting for him to guide them. “Supernatural” was very addictive at the beginning, I knew it has something to do with supernatural beings but I wasn’t expecting it to be heavily Christianity-based, eventually I was tired of the predictable storyline that centers only on the fights between Angels and Demons. As for “Ghost Whisperer”, the only reason why I enjoyed it for a while was because it has something to do with ghosts, and just like “Supernatural”, I wasn’t expecting strong references to religion in this show so I eventually grew out of it.

Not what it seems to be, "American Horror Story" Trailer:


"Desperate Housewives" opening credits with Adam and Eve,
apple and evil snake.
During last lecture, we have discussed that as television become more commercialized, the more complex and richer the characters are. Perhaps because of this, the essence of religion in shows is harder to detect and most television shows don’t normally present religion at the beginning. I believe that without the constant reference to religion is what makes television shows interesting to me, as it gets more religious, the storyline usually gets duller and predictable, since its based on the typical faith and belief the religion holds, and that is possibly the reason why most shows fail to keep my interest in them. As for “Desperate Housewives”, it is an excellent television show that incorporates religious belief so well that most audience wouldn’t even recognize. It only subtly reveals the presence of Christianity throughout the seasons and on its opening credits, it devotes an episode on faith and named it “Sunday” and mostly relies on Bree’s character to keep up with its religious concept. “Desperate Housewives” is a successful religion-advertiser in a way that it does not make the essence of Christianity so evident that eventually causes the show to be dull and predictable. I believe that it is the subtleness of referencing to religion that keeps my interest in this show, and it is normally the concept of religion that limits the creation of a great storyline in many other television shows, and causes them to be the less successful advertisements of Christianity.


Detweiler, Craig and Barry Taylor. “Television” In A Matrix of Meanings, 185-219. Grand Rapids: Baker, 2003.